Long Division # 7

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Researcher: 
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Biomedical science is an art. Both science and art are systematic processes. The process includes a mission, a plan, trial, error, implementation, and analysis. The pieces created represent the scientific and artistic process. When the finished piece appears straightforward, it is because substantial thought, effort, and time went into creating it.

About the project

Biomedical science is an art. Both science and art are systematic processes. The process includes a mission, a plan, trial, error, implementation, and analysis. The pieces created represent the scientific and artistic process. When the finished piece appears straightforward, it is because substantial thought, effort, and time went into creating it.

The pieces represent the execution of a clear plan, knowing that variance, error, and wobble will shine through. Like mowing an expanse of grass, the process appears simple, until the lines deviate, the rows overlap varying amounts, and the corners add a new challenge. In the pieces, from a distance, the systematic plan is clear. In the details, the wobble through the lines becomes evident. The inconsistent pace of the brush becomes evident. The variance in the pigment becomes evident. And the analysis of the final product reflects the lanes, bands, and staining achieved in standard protein electrophoresis gels known as western bolts.

In the end, the parallel lines of varying thicknesses and densities also represent our multiple marginalized identities as scientists and artists. In some respects, the lines mirror the multitude of gender identities and expressions traversing the array of PRIDE flags.

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Medium: hand-painted watercolor on cold pressed Arches paper

Retail cost: $8,800

Together, they built a shared language between disciplines, translating data, material, and emotion into new forms of expression.

THE TEAM
ARx connects artists and researchers through residencies, exhibitions, and education.
Phoenix Bioscience Core
Get to know PBC Art Committee

WHERE Creativity Image of an Art piece Meets Research • 

Michael Marlowe
Michael Marlowe is a studio artist, art director and production designer working in the film and television industry. Marlowe’s large-scale painting process takes an abstract approach to imagery that is rooted in figurative representation. His works examine and vibrantly animate aspects of the human figure from the inside out. Interested in various modes of self exploration, he visually abstracts and reshapes his subject in a pursuit to visualize the human form as something expanded, exploded, and restructured. “It’s the aspects of self we don’t show, the aspects of self we very possibly don’t know that make us tick. This visual deconstruction, this opening up, is in order to see around the parts we know, to discover the parts we don’t.”
Jonathan Lifshitz
Dr. Lifshitz is a neuroscientist with specific subject matter expertise in traumatic brain injury. He is a Research Professor at the University of Arizona College of Medicine-Phoenix. He has a passion for creative studies to understand how the brain injury dismantles, repairs, and regenerates circuits in the brain, with a focus on inflammation and rehabilitation. He takes immense pride in mentoring and training others in the scientific processes that generate evidence to inform clinical decisions. In the community, he raises awareness and develops services for traumatic brain injury in the context of domestic violence.